Some have described a Mary Sue almost as a “girl next door”-a character who is near perfect with only slight flaws which make them more endearing. People tend to associate Mary Sue’s with several character traits. It didn’t matter, you were gonna see me!” Stories like these and many others illustrate the complexity of the Mary Sue in contemporary fanfiction culture. In a lengthy exploration of the term, Elizabeth Minkel writes, “Even detractors admit Mary Sues are about young girls finding their power and agency in a world of fictional landscapes that rarely afford such journeys to women.” In an example of how reclaiming the Mary Sue as author-insertion can be empowering, writer Ash Davis explains how she wrote herself, as a woman of color, into her Lord of the Rings fanfiction: “If there were no black people, I made them. Smith has also agreed with others who claim that writing an autobiographical Mary Sue character/story is an inevitable part of the process for new writers attempting fiction.Īlthough criticism and accusations of writers creating Mary Sue characters/stories have become far more frequent, more defenses have arisen as well. While writing a Mary Sue is often viewed as an amateur move (and, indeed, Mary Sue is frequently used to simply suggest an overall poorly-written character, regardless of gender), Smith acknowledges that it is possible for author-insertion in works of fiction to be done well. Salon wrote in 2015, “The term Mary Sue is rooted in a long history of dismissing female characters and holding them to absurd double standards,” alluding to the point that identical forms of author-insert or wish-fulfillment with male characters/writers are rarely noticed or called out, while female characters tend to be held to a much higher degree of scrutiny when it comes to believable traits and abilities.Īs the joke goes: “What do you call a male Mary Sue? … A protagonist.” The concept of a Mary Sue has received fair and significantly complex criticism in the decades since the term was coined, with confusion over whether it has become inherently misogynistic to accuse characters of being a Mary Sue or whether it is a legitimate type of literary character. Because the character and story type continued to crop up in fanfiction submissions, Smith and other editors began referring to them as “Lieutenant Mary Sue” stories, and the term Mary Sue quickly caught on with the public. “A Trekkie’s Tale” was written to parody what Smith viewed as a common practice with young writers to perhaps subconsciously write an idealized version of themselves into the story and fail to write the original Star Trek characters accurately as a result of interacting with the author’s unrealistic wish-fulfillment figure. In a 2011 interview, Smith explained that, as an editor who read a significant amount of Star Trek fanfiction (written by women, in particular), she noticed a pattern of recurring adolescent female characters who were the youngest ever in their Starfleet position, irresistibly yet uniquely attractive, and uncannily talented and capable in every adventure she and the crew dared endeavor. Metropolitan Kashruth Council of Michigan.The very short story was written by Paula Smith in 1973 for Menagerie, a Star Trek fanzine for which she was an editor.Council of Orthodox Rabbis of Greater Detroit.
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